By David Hopkins
Glossy and modern artwork should be either baffling and gorgeous; it may even be cutting edge, political, and tense. This e-book units out to supply the 1st concise interpretation of the interval as a complete, clarifying the artists and their works alongside the best way. heavily proficient by means of new severe techniques, it concentrates at the dating among American and eu artwork from the top of the second one global battle to the eve of the hot millennium.
Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are between many artists mentioned, with cautious cognizance being given to the political and cultural worlds they inhabited. relocating alongside a transparent timeline, the writer highlights key pursuits reminiscent of summary Expressionism, Pop paintings, Minimalism, Conceptualism, Postmodernism, and function artwork to give an explanation for the theoretical and issue-based debates that experience supplied the engine for the paintings of this era.
Read or Download After Modern Art, 1945-2000 (Oxford History of Art) PDF
Best postmodernism books
Famed for his 1996 hoax that parodied the intense postmodernist feedback of technological know-how, Alan Sokal the following exposes many different examples of charlatanism, deflating the postmodernists of the left, the fundamentalists of the proper, and the muddle-headed of all political and apolitical stripes. Sokal does revisit his notorious hoax--the unique article is incorporated within the e-book, with new explanatory footnotes--to light up matters which are with us much more pressingly this day.
Jaroslav Kušnír’s e-book American Fiction: Modernism-Postmodernism, pop culture, and Metafiction is a sequel to his prior examine on American postmodern fiction entitled Poetika americkej postmodernej prózy: Richard Brautigan and Donald Barthelme [Poetics of yank Fiction: Richard Brautigan and Donald Barthelme].
Elizabeth M. O'Dowd bargains a brand new, discourse-functional account of the types "preposition" and "particle" in English. She explains why definite phrases have club in either different types, and solves many fascinating puzzles lengthy linked to the syntax and semantics of those phrases. in line with linguistic info extracted from a chain of tangible conversations, O'Dowd presents new insights into how prepositions and debris are used, and the way their meanings can swap throughout assorted discourse contexts through the years.
How do democratic and pluralistic societies take care of demanding occasions of their earlier? What innovations and taboos are hired to reconstruct wars, revolutions, torturing, mass killings and genocide in how to make their contradiction to easy human rights and values invisible? This interdisciplinary quantity analyzes intimately for the 1st time, in a number of genres, the historical past and photograph of the "German Wehrmacht" and the debates in Austria and Germany surrounding hugely contested exhibitions in regards to the struggle crimes of the German Wehrmacht in the course of WWII.
- The Trolley
- Postmodern Advertising in Japan: Seduction, Visual Culture, and the Tokyo Art Directors Club (Interfaces: Studies in Visual Culture)
- The semantics of anaphora in discourse
- Theorizing the Avant-Garde: Modernism, Expressionism, and the Problem of Postmodernity (Literature, Culture, Theory)
Additional resources for After Modern Art, 1945-2000 (Oxford History of Art)
Most of the droplets of love gasoline fall sadly short of their target in an area designated as that of the 'Shots'. This short description evokes something of the Glass's bleak hilarity as a satire on sexual relations, but from it the significance of Wayward Landscape can be appreciated; it is one of the Bachelors'/Duchamp's 'shots'. As a comment on male expressive/sexual urgency the gesture ironizes the new vogue for painterly bravado in American art linked to assertively 'male' artists such as Pollock, shortly to embark on his 'drip' paintings.
However, a figure such as the painter/poet Henri Michaux  can hardly be thought answerable to Modernist criteria, although his works have superficial visual links with Pollock's. Its formal rigours aside, Greenbergian Modernism was primarily urban in tenor, an art of large metropolitan cultures. '30 In these terms, British abstractionsts such as Lanyon, working from landscape motifs in a tradition rooted in the eighteenth century, would have seemed anachronistic. ) Despite the fact that he had a strong stylistic influence on both Lanyon and Diebenkorn, and himself produced a sequence of paintings derived from landscape at the end of the 19505, it was the Dutch-born Willem de Kooning, rather than Pollock, who produced the most distinctively urban-rooted Abstract Expressionist canvases.
In 1952 he produced Asheville Citizen, a two-part painting in which a whole sheet of newspaper, lightly brushed with brown-black paint evoking scatological associations, was very much the picture's 'subject'. The consequences of this were far-reaching. As the critic Leo Steinberg later wrote in his important essay 'Other Criteria', Rauschenberg appeared to be implying that 'any flat documentary surface that tabulates information is a relevant analogue of his picture plane', with the implication that his work 'stood for the mind itself...