Download Postmodern Hollywood: What's New in Film and Why It Makes Us by M. Keith Booker PDF

By M. Keith Booker

Postmodernism is key to American tradition this present day. we will see its manifestations on billboards and on tv; we will be able to listen its tone at the radio and in daily dialog; and we will be able to even experience its outlook in how we are living our lives. This quantity offers an available and short precis of postmodernism, particularly because it relates to American cinema-one of the valuable gamers and best lighting fixtures within the improvement of this cultural angle. 4 exact sections examine postmodernist fragmentation, musical use, and pastiches of past tv indicates and cinematic genres in such motion pictures as Quentin Tarantino's Pulp Fiction, David Lynch's Mulholland Drive, and Sofia Coppola's Marie Antoinette.

Discussions of the phenomenon of postmodernism have tested yes features which are ordinary of postmodernist tradition. those features comprise formal fragmentation, an inclination towards a specific form of nostalgia, and using fabrics and types borrowed from prior motion pictures and different cultural items. This quantity provides a quick precis of the features that experience as a rule been linked to postmodernism, in particular as they pertain to movie. It illustrates these features with discussions of a wide selection of yank motion pictures of the prior thirty years, noting how these movies perform the phenomenon of postmodernism. Emphasis is on well known, advertisement movies, instead of the extra esoteric, experimental items that experience occasionally been linked to postmodern film.

Booker's paintings comprises particular discussions of a large choice of yankee films—including classics like Sullivan's Travels and The final photograph Show, and up to date successes reminiscent of Scream, traditional Born Killers, keepsake, Moulin Rouge, and Fight Club—noting how those movies perform the phenomenon of postmodernism, and the way they've got helped to form its present form.

Show description

Read Online or Download Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange PDF

Similar postmodernism books

Beyond the Hoax: Science, Philosophy and Culture

Famed for his 1996 hoax that parodied the intense postmodernist feedback of technology, Alan Sokal right here exposes many different examples of charlatanism, deflating the postmodernists of the left, the fundamentalists of the appropriate, and the muddle-headed of all political and apolitical stripes. Sokal does revisit his notorious hoax--the unique article is incorporated within the publication, with new explanatory footnotes--to light up matters which are with us much more pressingly this present day.

American Fiction: Modernism-Postmodernism, Popular Culture, and Metafiction

Jaroslav Kušnír’s booklet American Fiction: Modernism-Postmodernism, pop culture, and Metafiction is a sequel to his past learn on American postmodern fiction entitled Poetika americkej postmodernej prózy: Richard Brautigan and Donald Barthelme [Poetics of yank Fiction: Richard Brautigan and Donald Barthelme].

Prepositions and Particles in English: A Discourse-functional Account

Elizabeth M. O'Dowd bargains a brand new, discourse-functional account of the types "preposition" and "particle" in English. She explains why definite phrases have club in either different types, and solves many interesting puzzles lengthy linked to the syntax and semantics of those phrases. in response to linguistic information extracted from a sequence of tangible conversations, O'Dowd offers new insights into how prepositions and debris are used, and the way their meanings can switch throughout varied discourse contexts through the years.

Discursive Construction of History: The Wehrmacht's War of Annihilation

How do democratic and pluralistic societies do something about demanding occasions of their earlier? What thoughts and taboos are hired to reconstruct wars, revolutions, torturing, mass killings and genocide in the way to make their contradiction to easy human rights and values invisible? This interdisciplinary quantity analyzes intimately for the 1st time, in a number of genres, the historical past and picture of the "German Wehrmacht" and the debates in Austria and Germany surrounding hugely contested exhibitions concerning the battle crimes of the German Wehrmacht in the course of WWII.

Additional info for Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange

Sample text

That direction, in Lynch’s case, is centrifugal and anticonventional, and the plot ultimately explodes in all directions, while at the same time denying the desire of audiences to make realistic sense of it all. As a film about Hollywood, Mulholland Drive is often cynical about the movie business, as when shady financial backers attempt to apply pressure to force Kesher’s hand in casting the film he is making in the first part of Lynch’s film. Similarly, even if Betty is not taken literally as a character in the second Diane Selwyn’s dreams, it is still easy to see that the two function as a sort of before-and-after pairing.

On the other hand, the story is being told by this character from the perspective of at least 50 years later than the action, which would place that action in the 1940s, rather than the 1960s, unless the storytelling actually occurs well into the twenty-first century. Meanwhile, many of the automobiles, appliances, and other devices in the film seem to date from an era later than the 1960s, making the historical setting of the action entirely indeterminate. This lack of historical specificity is typical of postmodernist film, though, in this case, it also enhances the film’s fairy-tale atmosphere.

The same, of course, applies to Mulholland Drive itself, and the film makes abundantly clear its status as a filmed object under the direction of a director who can make the action move in any direction he wants. That direction, in Lynch’s case, is centrifugal and anticonventional, and the plot ultimately explodes in all directions, while at the same time denying the desire of audiences to make realistic sense of it all. As a film about Hollywood, Mulholland Drive is often cynical about the movie business, as when shady financial backers attempt to apply pressure to force Kesher’s hand in casting the film he is making in the first part of Lynch’s film.

Download PDF sample

Rated 4.40 of 5 – based on 16 votes