By John Miller
The paintings of Michel Foucault has been influential within the research of area in quite a few disciplines, such a lot particularly in geography and politics. This choice of essays is the 1st to target what Foucault termed ‘heterotopias’, areas that express a number of layers of that means and demonstrate tensions inside of society.
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Additional resources for The Globalization of Space: Foucault and Heterotopia
Man in general’ is negated, and all immutably ‘unitary’ concepts are derided and destroyed, insofar as they express the concept of a ‘man in general’ or of ‘human nature’ immanent in every man. But even historical materialism is an expression of historical contradictions; indeed, it is perfect, complete expression of such contradictions … The philosopher today cannot evade the present terrain of contradictions; he cannot affirm – other than generically – a world free of contradictions without immediately creating a utopia.
Gramsci is not so interested in America as a real place, as much as in this evolution, in the fact that a modality or lifestyle is taking shape, an Americanization that could spread throughout the West. The Ford factory confirms that ‘you can’t talk about national without territorial’48 which makes it the summary and the epicentre of a vast review of an exemplary amount of meaningful experiences. 52 ‘Hegemony is born in the factory and does not need many political and ideological intermediaries’53 or rather, it is the production site that moulds the anthropological traits of an entire life system, and qualifies itself as a heterotopia.
As one of a party of eccentrics that discover a Neolithic grave, Ackroyd’s character places emphasis on the linearity of time when discussing a collective approach to read deeper significance within things: ‘You can never go back … Signals sent into the past would be killed by their own echoes. You can only do one thing. 16 In direct opposition, one assumes, is a mind open to the unfinished disclosures and unfolding of energies and stories, once located in the past. Sinclair: ‘This is the loss we fear most: the contemplative solitude of the water margin, its accumulation of voices.